Drumming the steering wheel and belting out, "That's
great, it starts with an earthquake, birds and snakes, an aeroplane,
Lenny Bruce is not afraid. Eye of hurricane, listen...churn...world.... needs...nanana...na..na."
He trailed off as most people do to that song and just started bobbing
his head. Reaching up he adjusted his rearview.
"Damn dude, turn off your brights," he said aloud.
The
night had a chill in the air so he had his windows down but his heat on
to equalize the temperature. The moist air smelled of marshland
reminding him of chasing fiddler crabs when he was a kid and getting
covered in mud in the flats of Brunswick, Georgia. 'Bright Lights', as
he had dubbed the car, pulled up next to him and he glanced into the
darkened vehicle. The passenger window had a faded yellow and pink
flowered pillowcase pressed up against it. He assumed there was a head
on the other side squishing it flat, but couldn't be sure. His glance
into the back seat caught him by surprise, what initially looked like a
glowing blue skull staring back at him was transformed into a pre-teen
boys face illuminated from underneath by some type of tablet, an iPad
probably since the crossover type vehicle was a Mercedes Benz. One day
Willie, he thought, one day you'll pull up to the house in one of those
and Janice will shit herself with excitement.
"Damn dude, turn off your brights," he said aloud.
The car zipped up beside him and he saw a flowered pillow, and a skull.
A blue face with a big smile streaked passed him. He tried to
accelerate to be certain of what he saw but his 1980's diesel Volvo of
the box variety did not have its get up and go anymore. He sat back
beating on the steering wheel to R.E.M.'s album Document of the same
decade as his Volvo, holding his drums to match the stretched and worn
out tape from which it played. He took his swimming goggles down that
swung back and forth from his rearview and suctioned them to his face,
with the strap digging into his scalp. Once secure he stuck his head out
the window and howled with the wind, letting it fill his cheeks. As he
did so some of his saliva was whipped from his mouth and slid down the
side of the car leaving a streak among streaks from his previous howls
at the moon. Pulling his head in he gave a gaping yawn and was
disappointed the rushing wind didn't do its usual job of jolting him
awake, for a little while at least. He hung up his goggles and blinked, a
little to long again, as he reached to adjust the volume of the radio,
and was dreadful when he realized his mind had missed two songs on the
album. Had he dozed or had he become hypnotized by the reflective dashed
lines pulsing to the beat. There had been many times while he was
driving this stretch that his brain shut off and he awoke wondering how
he had arrived at point C when he only remembered being at point A, but
he felt he actually fell asleep this time. This stretch of highway 17
was nothing more that two lanes carved out of woods and marshland
without even the faintest of shoulders. Pulling off the road would mean
one of two things, getting stuck in the mud or careened off the road by a
passing semi doing well over the speed limit. That thought woke him up a
bit, but he struggled, and his eyes got heavy again.
"Damn dude, turn off your brights," he said aloud.
"Damn dude, turn off your brights," he said aloud.
The lights had blinded him this time, they were so bright they seemed
to eminate from the rear view mirror. The light filtered red and he
realized his eyes were shut. He forced them open and to his horror two
sucken eyes encased in blue were staring back at him. He screamed as the
blue skull's jaw opened to speak, the light went from bright white to
grey to black.
He awoke to Janice holding his hand asleep in the bed
next to him wondering how he got home, if he was home, or if he was
still asleep, driving.
---What's funny is not
until I had read it a few times checking for typos did I see the connection between sleep and the band---ha!